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exhibiting tutorial for united nations philatelists, inc (unpi)

second in a series - on exhibits and exhibiting: “educating” the jury by anthony f. dewey

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as noted above most important is to limit the scope of the exhibit to something that can be covered in a single frame. clearly a comprehensive exhibit on the printing varieties of the un first issues would not be a feasible subject. rather, an exhibit that explores the 1.5c un#2 precancel issue and the official use of the stamp would be practical. perhaps a comprehensive look at the design and fabrication of a single issue (given the newly available un archive material) would also be feasibly covered with a 12 or 16 page exhibit.
once a reasonable subject is chosen, take some time to develop the story. start with a simple outline. what works best; a chronological study of stamp production and use, some alternative approach???? be creative but be sure to compose an outline that make sense. after all you are trying to tell a story, a complete story at that, so really take the time to study your material and be logical in your approach.
start assembling the items in your collection that you may use to tell the story. i purposely said "may use" as an exhibit is not simply a presentation of your collection, it is a careful selection of choice pieces from your collection that provide support to the story you are trying to develop. use the best examples of items you have. if the only example you have of a particular stamp or rare cancel is clearly philatelic use it. as your exhibit matures you can always replace items with better examples. again this is all part of the fun of exhibiting and collecting.
once you have selected choice pieces for display start thinking about arrangement on the pages. importantly you must marry the supporting text from your story with the material. do not try to overpower the stamps or covers with text. be concise if possible but be practical. if a topic deserves or requires considerable write up to convey its importance be sure to include that information. again be creative. perhaps spreading that particular topic over two pages may help to minimize the appearance of overpowering text. in any event spread you material out on a blank page and try using some cutout text and place them around the page until it appears to flow and is pleasing to view. continue in this manner until you have developed the entire exhibit and then take a few steps back. view the mock-up and see if the pages flow well. is the story coming across easily. can i follow the flow of the exhibit. is my eye drawn to the philatelic objects readily. does the layout help to develop the story. these are the things you should keep in mind as you work on the draft form of the presentation.
after you have gotten the draft version to a point you are satisfied with, then and only then should actual production of the exhibit take place. with today's desktop publishing software and exhibition grade papers, covers mounts, and page protectors readily available from large hobby supply companies, the final preparation of the exhibit is really within everyone's reach. again the most important job is to do your homework up front before any exhibit page preparation begins. by spending the time to thoroughly research and develop your subject, carefully choose representative examples from your collection, and prepare a logical well-constructed story, you will be well on your way to creating a lovely and perhaps award-winning exhibit.
best of luck and remember to have fun. that's what it's all about.

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exhibiting tutorial for united nations philatelists, inc (unpi)